Critical Analysis of the Rape of the Lock by Alexander Pope (121-150)

Critical Analysis of the Rape of the Lock by Alexander Pope (121-150)

121-122	The dressing table was displayed in full view. The silver boxes were arranged in mystic order.
123-124	First Blinda robed herself in white dress and worshipped the divinities (cosmetics powders and paints) with her had uncovered.
125-126	She saw the heavenly image in the mirror, then she bends her eyes to see the lower portion of her body and raises her eyes up.
127-128	The inferior priestess, Blinda’s maid standing by her side trembling, and begins the sacred rites of dressing the proud Blinda.
129-130	Numerous treasures of cosmetics, and various offering of the world to the goddess opened at once.
131-132	From each and every box she choose the cosmetics very curiously and carefully and start to decorate her goddess.
133-134	The India’s glittering gems were exposed and the beautiful perfumes of Arabia were opened.
135-136	The combs made of tortoise shells and elephant ivory were putting together.
137-138	The shinning hair pins were putting in a row. Puffs, powders, black patches, Bible and love-letters were also putting there.
139-140	Blinda puts all the weapons of beauty and grows even more beautiful.
141-142	She smiles to check her beauty and makes the face more charming.
143-144	She gives her cheeks a blush and her eyes shine in proud.
145-146	The guardian sylphs surrounded the darling, adjusting her head and hair.
147-148	Some of the sylphs were folding her sleeve and some other plaited her gown. Despite the lot of efforts by Sylphs, the credit goes to Betty (her maid).
149-150	The sun first rising over the purpled horizon cannot excel in glories than the Blinda.